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After the wedding, Arjun Reddy and Geeta Govindam, Vijay Deverakonda turned into an insane legend in Tollywood, boosting his star picture. As of late, be that as it may, his movies have not had the option to hit the blockbuster extend. Notwithstanding, there were no negative remarks on Vijay Deverakonda's presentation. Vijay's film is World Famous Lover so as to expand star status. On February 14, Kranti Madhav's directorial debut, "Feel Better", turned out once more. Will Vijay Devarakonda get hit again like Arjun Reddy and Geeta Govindam? To know whether Kranti Madhav Feel Good Factor has worked once more, go into the story.
After the wedding, Arjun Reddy and Geeta Govindam, Vijay Deverakonda turned into an insane legend in Tollywood, boosting his star picture. As of late, be that as it may, his movies have not had the option to hit the blockbuster go. Notwithstanding, there were no negative remarks on Vijay Deverakonda's presentation. Vijay's film is World Famous Lover so as to build star status. On February 14, Kranti Madhav's directorial debut, "Feel Better", turned out once more. Will Vijay Devarakonda get hit again like Arjun Reddy and Geeta Govindam? To know whether Kranti Madhav Feel Good Factor has worked once more, go into the story.
World Famous Lover Story Gautam (Vijay Deverakonda) surrenders his corporate activity to turn into an essayist and live with that fantasy. In any case, the separation comes as Gautam conflicts with his living accomplice Yamini (Rashi Khanna). In any case, Gautam, whose name is Yamini, has an undying affection. Despite the fact that Yamini has succumbed to cherish .. she can't discover love and closeness.
Towards the finish of World Famous Lover (WFL), when Vijay Deverakonda is situated on a recreation center seat (can't shake off the recollections of Arjun Reddy here), looking rumpled and depleted, I was helped to remember his ongoing explanation that this film will be his last romantic tale. It's a decent choice. Since, regardless of how well he plays out, it's tedious and tedious to watch him as the wrecked man pining for his affection and squandering himself. This is one segment of the story, yet enough as of now. What makes it harder to feel for his character is the unstable reason of WFL.
The film wakes up when Vijay becomes Seenayya in the coal mineshafts of Yellandu, romancing Suvarna (Aishwarya Rajesh) and Smita (Catherine Tresa); and later when he carries on with the high life in Paris, skydiving and serenading pilot Iza (Izabelle Leite). As the broke hopeful author Gautam who's seeking after the arrival of past times worth remembering with Yamini (Raashi Khanna), he's back in the Arjun Reddy zone.
The essence of the film is about Gautam who is pondering an inability to write for eighteen months! The portrayal of the circumstance feels imagined and expelled from the real world. Any individual who has associated with youthful, developing writers in the most recent decade or so would realize what number of start off by keeping a normal everyday employment to guarantee a consistent salary that runs the family, yet compose early mornings and late nighttimes with hounded discipline. Some enjoy a reprieve for the exploration and composing, however there's a cutoff time of a year or two, to make sense of on the off chance that they can get a book distributed. You don't turn into a disaster area trusting that storylines and words will occur to on you supernaturally. The film acquaints us with Gautam's world through according to Yamini who is enduring the worst part of his temporarily uncooperative mind. He relies upon her for everything but then, has quit seeing how his descending winding has negatively affected her. Naturally, she exits.
Kranthi Madhav goes to and fro, sorting out the Gautam-Yamini sentiment from the bright school days. It comes in spurts to show us Gautam of the past, before he turned into this self indulging wreck.
Raashi takes an alternate route from the brilliant and upbeat parts we've seen her recently, to play the agonizing Yamini. Her eyes do the greater part of the talking, viably. The naming could have been exceptional however. In certain spots, I needed to strain to get the words.
The film's best bits occur in Yellandu. Vijay experts the piece of Seenayya, gushing Telangana tongue. The underlying communication among him and his dad (Anand Chakrapani) gets the snickers, and furthermore reveals their disparities. Seenayya is certifiably not a miscreant; when he advises somebody to set aside cash for his child's training, it stems out of his own failure. Be that as it may, he's unjustifiable to Suvarna who does all that she can to keep the family pontoon from shaking, when Seenayya sentiments his manager Smita. Aishwarya is a characteristic and plays Suvarna with conviction. This is an entertainer to keep an eye out for.
Jayakrishna Gummadi's cinematography highlights the tough milieu of Yellandu as much as it delights in the easy extravagance of Paris, later. Gopi Sundar's music tonally moves between the various stories and the 'My Love' track sticks out.
Vijay transforms into a rich single guy in Paris, romancing the French pilot Iza (Izabelle has a beguiling screen nearness). It's the lady, once more, enduring the worst part of his foolishness.
The lead sets of the diverse romantic tales take up the vast majority of the screen time that different characters get restricted degree — like Anand Chakrapani, and Priyadarshi who shows up in an all-inclusive appearance.
When the various stories are integrated and Gautam, the essayist, comprehends that it's he who has been inhumane toward the ladies and needs course rectification, it's a long and tiring excursion.
Concerning the gooey title of the film, it's hard to talk about it without tossing in a spoiler. So we'll leave that alone.
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