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Saul Season-Premiere Recap: Who Made Who?
Kim is having a tough time persuading the people around her to steer clear of risk. There’s her client Bobby, a young father with one more on the way, who’s looking at several years in jail if he doesn’t plea down to as many months. But despite his list of priors and the predictability of trial outcomes, Bobby insists that the twinkle in his eye and the bun in his wife’s oven will woo any panel of 12. And then there’s Jimmy, who’s made the snap decision to go into business as Saul Goodman, black-market cell-phone hawker turned lawyer for the delinquent and downtrodden.
“I can’t see it,” she says over takeout, as much their common ritual as practicing law. “You will,” he promises. But Kim’s already half-faded, blending into the background of his big ideas like peel-and-stick kitchen backsplash. She eventually meets him somewhere between Jimmy and Saul to help harangue Bobby into taking the DA’s deal, but it’s pretty clear that while Jimmy’s more self-possessed than ever, their identity as a couple has a crisis to counsel out.
At least Kim has time to consider who she is independent of Jimmy now that Jimmy’s inseparable from Saul. Casper, Kai, and the rest of Werner’s crew are a shell without their foreman, whom Mike had to put down after his disappearing act from the Superlab site. “He was worth 50 of you,” Casper growls as Mike hands him plane tickets back to Europe with little time to waste. In what can only be described as a mixed blessing for the late Mr. Ziegler’s laborers, they’ve been hastily — and temporarily — recalled from their duties as Gus scrambles to cover his tracks after having to expose his operation to Lalo.
Well, sort of. All Gus did was give Lalo a tour of his supposed chicken chiller. And this was only after Lalo came around Gus’s chicken farm with Juan Bolsa to mediate, snooping and asking questions about why some of the Salamancas’s product was stepped on. Gus pinned the whole snafu on poor Werner, insisting the architect got greedy and went on the lam with a couple kilos in tow, forcing Gus to improvise and filter in some subpar local smack. Bolsa implored Lalo to appreciate that, with Gus, it’s all business and never personal. Essentially, to give him benefit of the doubt. But as Lalo reminds him, recalling the time Hector shot Gus’s partner in cold blood south of the border, Fring’s motives are mortally intertwined.
This all underscores how, despite Jimmy and Gus’s surface as polar opposites, they are both perennial outsiders tunneling their way toward commanding respect. And each has committed to compartmentalizing their vulnerabilities in order to slough off the low expectations of naysayers and nemeses from their past. Gus has evolved into a stoic brute, prone to cautioning combustible allies like Mike about transgressing even slightly, no matter how heavy a toll their work takes on the soul. Jimmy, for his part, has fully and finally flowered as an overqualified huckster eager to exploit his second chance without Chuck or anyone else’s choice words. The larval Mr. McGill, Esq. has fluttered off unfettered as the garrulous Saul Goodman.That Saul pitches an actual carnival tent and convenes a gathering of Juggalo-worthy acolytes to acquire half-price burner phones as a kind of presumed down payment on future legal services is pretty to the point. His pastel suit game restored to “Inflatable” glory of yore. and hair more evangelist bouffant than its later, iconic hangdog part, Saul spins a tale to junkies and lowlifes from far and wide about his reputation as the “magic man” of criminal defense. (Huell is all too happy to stand as living testament to his legendary prowess at making prison sentences disappear.) This spectacular exhibition, hastily amassed under the cover of night, is the precise inverse of how the Salamanca clan — now presided over by Lalo, with Nacho and Krazy 8 his wary lieutenants — goes about its business of collecting money from corner men and sawed-off-shotgun-toting ladies like middlewoman Mouse in monotonous, workmanlike fashion while sweating the daytime hours away.
The question is, how much does Jimmy quietly absorb from spending time around the likes of Lalo, whom we know from Breaking Bad crosses paths with him roughly concurrent to his dealings with Gus? And does all of that, taken into account alongside his imminent, ruinous run-in with Walter White, prepare the future Gene Takovic to take out Jeff the cabby (Don Harvey), who outs him as Saul once and for all at a lonely bench in that Omaha mall? We probably have to wait till at least this time next year for the answer to that. Gene may be tired of running from himself, but Saul’s only started hitting his stride. ‘Better Call Saul’ Season Premiere Recap: ‘Magic Man’
Jimmy McGill’s got a new name and a new client base as the penultimate season’s premiere begins the endgame Better Call Saul is back for its fifth season. A review of the premiere, “Magic Man,” coming up just as soon as I hear good things about the new vending machine over by family court…
“See, this is why this works. I go too far, and you pull me back.” -Jimmy
One man, three names. Or is it three different men rightly using three different names?
Going back to when we first met Saul on Breaking Bad, Bob Odenkirk has played the character under multiple aliases. (And that’s not even counting “Viktor with a K,” Jimmy’s moniker whenever he and Kim/Giselle run a short con together.) This prequel series began with poor Gene trudging through his lonely, paranoid days at Cinnabon, then introduced us to Jimmy McGill, who turned out to be something more complicated than a pre-combover Saul Goodman. Though he eventually began using Saul Goodman as a work name while producing commercials and selling drop phones, he was still clearly the Jimmy we had come to know and love. It wasn’t until midway through last season that we briefly saw the true Saul Goodman, frantically preparing to exit his Albuquerque life near the end of the events of Breaking Bad. So what separates these three, exactly? How much does it matter? And when will Jimmy McGill fully become Saul Goodman in this series’ present?
Gene is easy to carve off from the other two. He values survival above all else, and has divested himself of anything that might get him identified as Saul or Jimmy, even though those character traits were what once made his life worth living. We only glimpse him for a few minutes at the start of each season, but we can see how painfully empty his time in Omaha has become, and how simultaneously thrilled and terrified he feels whenever he lets one of his old identities slip out for a moment.
Saul, we know relatively well from his time on Breaking Bad. As Odenkirk has pointed out, we only saw the guy when he was involved in Walt and Jesse’s business, meaning it’s entirely possible that he went home to the wonderful Kim Wexler every night. But it doesn’t really seem that way, does it? The Saul Goodman we meet in Breaking Bad Season Two is a blithely ruthless individual, willing to sell out anyone and everyone who threatens him, and baffled that his most important clients aren’t prepared to do the same. He’s not a monster to the degree that Walt or Tuco or Gus are, but he is someone who fundamentally cares about getting and keeping what he feels entitled to above anything else. He is a fairly two-dimensional (if very entertaining) character, and those dimensions are extremely selfish ones.
Jimmy, though? Jimmy contains multitudes. He is a survivalist like Gene, and has done some terrible things in the name of self-preservation (and, occasionally, in the name of protecting people he cares about like Kim). And he is a con man at heart like Saul, often finding his greatest pleasure in getting over on his social superiors. But he’s also more empathetic and fundamentally kinder. He took genuine pleasure in talking with his eldercare law clients. He was a devoted caretaker to Chuck, despite how obviously his brother disapproved of him. His instincts still trend towards chicanery and other shortcuts, but there is a capacity for goodness and shame in him that’s utterly absent from Saul on Breaking Bad.
Throughout the run of Better Call Saul to this point, it’s been pretty easy to keep the three iterations separate. Gene is Gene. Jimmy is Jimmy. Saul is Saul. That’s how the writers refer to them in the scripts; even when Jimmy was calling himself Saul in recent seasons, the scripts still referred to him as Jimmy. The “Ozymandias”-era teaser from “Quite a Ride” was the only time so far the dialogue markers and stage directions used the name Saul.
as ever, in the future and in black and white. Jimmy McGill (Bob Odenkirk) is a Cinnabon manager in Omaha named Gene Takovic. As miserable as his new life and identity appear, Mr. Takovic wants to keep it, despite the somewhat terrifying sense that a menacing cabby named Jeff has discovered Jimmy’s previous iteration as Albuquerque’s own Saul Goodman. It’s the same Jeff, played by Don Harvey, who gave Mr. Takovic a lift in last season’s opener, and this time it’s clear that the guy isn’t just trying to drum up fares.
Either Jeff is looking for a bounty or to shake down Saul — probably the latter. We leave this predicament after Saul calls the Disappearer, played with his understated gravity by the great Robert Forster, who has since passed away. Initially, Jimmy/Saul/Gene wants to buy yet another identity, his fourth. Then he decides to save his squirreled-away diamonds and “fix it” himself.
Here’s hoping we don’t need to wait an entire season to learn what happens next. Though that seems likely. So we get a montage scene of new customers, who have come for free phones and get a one-on-one pitch, in a tent. Worth noting: Once again the casting staffers on the show deliver, in this case one Fellini-meets-carnival-sideshow face at a time.
At the end of this episode, Kim has her moral compass titled Saul-ward when Jimmy improvises a con that convinces a client of Kim’s take a plea deal. While initially reluctant to roll with Jimmy’s plan, she quickly learns that his underhanded approach works where her honest approach does not.
Moral compromises — Kim is going to have to choose between them and Jimmy in episodes to come.
Plot-wise, the core of this episode, called “Magic Man,” centers on the looming conflict between Gus Fring (Giancarlo Esposito) and Eduardo (Lalo) Salamanca (Tony Dalton). Lalo learns that customers are complaining that his minions are slinging diluted meth and he investigates. You know how a great sommelier has a great palate? Well, Lalo apparently has a great nose, and he can tell immediately which portion of his family’s cut of Fring’s product has been “stepped on.” Time to pay a visit to Gus to find out what has gone wrong, and whether it has any connection to the vanished German he’s heard about, and Fring’s surreptitious construction project.
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